If I've learned anything during that time, it's that you are who you are. And no amount of some other thing can make me anything more than what I really am inside: A kid.
片頭看到一個熟悉的名字,攝影指導竟然是我在UCSD時教我拍16mm膠片電影的法國老師!于是我默默地記下了每個hair in the gate沒清理的鏡頭,和每個覺得燈光有問題的鏡頭。除此之外,銀幕時間的控制一定是影響到了蔡明亮?,嵥榈?、無聊的、孤獨的、失去意義的日常生活,讓這部電影不僅僅是女權(quán)主義的電影而已。最后那一刺的表現(xiàn)力還不夠
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